In her research into the works of the English poet Edmund Spenser (c.1552-1599), Dr. Claire Eager (Colorado College, Colorado) noticed similarities with the work of the Southern Low Countries poet Jan van der Noot (c.1539-c.1595). Van der Noot was deeply involved with the way his books were produced, illustrated and distributed. He collaborated closely with illustrators such as Marcus Gheeraerdts and Lucas d’Heere, creating true artists’ books avant-la-lettre. Van de Noot probably hired the teenage Spenser to translate his Theatre oft toon-neel into English. Through Spenser, the works and the collaborative method of Jan van der Noot influenced the way poetry books were designed in seventeenth-century England.
Ashley Gonik (Harvard University, Massachusetts) asks the question who is responsible for tables in early modern books: authors, compositors or printers? What techniques were used to illustrate scientific publications? To answer these questions, she will be looking very closely at early printed books in the collections of Antwerp libraries, measuring tables and type to determine what technique was used. Research in the archives of the Officina Plantiniana will provide additional information regarding the wages paid for typesetting these complex books.